Sunday, November 27, 2016

THOSE ARE JUST DETAILS, AND WE ARE ALL HUMAN





In the blink of an eye, we’ve gone from “Ask not what your country can do for you,” to “Fear what your country can do to you.”
            That’s what it feels like now, and I’m not the only one who feels this way. I would so much rather be writing about something else right now, something not so real, but this has to come first.
  
I am a writer of fiction. Mysteries, horror stories, fantasy, science fiction. That’s what I do, how I express myself. Some people think I’m good at it. Some of them pay money to read my stories, and I’m still amazed when I think about that, and I’m grateful. 
            But, lately, I’ve hit a snag. I can’t write fiction right now, and it’s been that way for the last two weeks. My total output during that time has been to finish a short story I’d started weeks earlier, and I can’t seem to get my head together enough to start something new. There’s too much real world stuff jamming the signals that usually provide me with a seemingly endless supply of characters and situations and concepts. Too much has happened in the past fortnight and it’s been consuming too many of my thoughts, to an extent that the fiction can’t break through. So, I need to bend my creative energies toward real life matters for a change, and maybe it will unblock me, and maybe, in the best case scenario, it will do some good to somebody else. I don’t know, but this is all I have right now, and it might meander and it might seem to drift from subject to subject and change directions a dozen times before I’m done, but I’ll give it  a shot, because I don’t know what else to do with words right now.
            Being able to write fiction, being able to let my imagination flow free and create worlds is a privilege I can enjoy because of the freedom of expression I have as an American, and while I’ve never written specifically about what it means to be an American, it is the condition of the nation during my lifetime that has influenced me, perhaps usually unconsciously, but I cannot deny that it has to have had an impact. And now that condition of the country is under threat, and how heavy that threat will be remains to be seen, but it does not look good. So, if I am to continue to write, I must address this.     
            I am a writer, as I’ve already said. But what else am I? I don’t like to label myself in too many ways, because I’m always changing, at least in personal ways, if not in ways that can be detected by anyone viewing me from the outside. I’ve never called myself a Democrat or a Republican, or a Conservative or a Liberal, and that’s because I don’t think I’m capable of taking a bundle of ideas and accepting them as whole. I prefer to judge individual issues. I don’t vote for parties, but I do vote for candidates. I’m not a Democrat or Republican. I’m not a Conservative or Liberal. I’m a human being who tries to make the right decision, whether those choices are personal and effect only me or go beyond my own life and impact the lives of others, and I look for that sense of responsibility in the candidates I choose to support and vote for.     
            I voted in this year’s election, and this time the choice was an obvious one. We had, on one hand, a candidate with political experience, an imperfect person (because there’s no such thing as a perfect person) who would have probably made an acceptable president for these United States. Maybe a good one, maybe even a great one. At the very least, she had business running. So I voted for her, and so, it seems, did many, many other Americans.
            She was the obvious choice. For many of us, she was the only choice, because, on the other side, was a man completely unqualified for the job, a man with a personality that comes across as completely unlikable, a man whose campaign was fueled by reprehensible statements on his part, statements and stances that brought out the worst, not the best, in many of those who expressed hope that he would win. Even his campaign slogan came across as an insult to the very nation he was pursuing a chance to lead.
            I didn’t think he had a real chance to win. I thought the vast majority of my fellow Americans would resist the idea of such a man holding one of the most powerful positions in the world. And then the unthinkable happened. He won. He won, at least, via the electoral college, if not the popular vote. And it felt (to many of us; it’s not just me) like a nightmare, and it still does, and it gets worse every day as we see the people he’s appointing to his staff, people with, in some cases, histories and opinions that should be repugnant to human beings who care what happens to other human beings. And he demonstrates more and more each day that he has, apparently, no idea of the scope and nature of the job he’s campaigned himself into.
            This is frightening. This is disturbing. This is bizarre and absurd and tragic and dangerous. This is very, very bad. Bad for all of us, potentially worse for some of us.
            In past elections, I’ve preferred one candidate over another, but I’ve always felt that, regardless of who won, we would be all right and that America would still be America. Now, for the first time in my life, I am afraid of what the next president will do to this nation, what those he chooses to help him do his job will do to it, and what his followers and supporters will perceive his victory as a license to do to their fellow human beings. We should all be afraid of this.    
            With that little preamble out of the way, I’m not sure where to go with this next. There are so many things I feel compelled to say, so I’m just going to let it flow.

A Memory
I've told this story several times since this whole Trump thing started, first months ago when the whole idea of him winning the election seemed absurd, and again post-election, as the racism of some of his cabinet appointees became apparent and some of their ideas became known. Now, I’ll tell it again.
 My great-grandmother was born in 1899. She was the youngest of 13 children and the only one born in the United States. The rest were born in Germany and the family, once they moved here, kept close contact (mostly through letters back then) with their relatives back there.
When I was a kid and she was in her 80s and 90s, I loved visiting her; I was fascinated by how old she was, by the stories she would tell, and I think she liked having an audience. She died in 1996. One day, when I was maybe 7 or 8, she showed me an album with photos from the 1930s. In one picture, 2 of her older brothers were fooling around on the banks of a local river, just 2 young men having a good time. But I noticed one of their shirts. A T-shirt adorned with a swastika. Even at that age, I knew what it was, I knew what it represented, I knew that it stood for what my grandfather (her son-in-law) had risked his life to fight against. So I was shocked to see it on a relative of mine (one who died before I was born). She saw my confusion and tried to explain.
"You have to understand," she said, "that at the time, we thought it was just a political party back home in Germany. We had no idea what would happen. We didn't realize, we didn't understand until it was too late." And as she said that to me, I could hear her voice crack, and I could tell she didn't want to talk about it, maybe couldn't bear to talk about it. I turned to the next page in the album and that part of the conversation ended right there, but I never forgot the way her voice sounded at that moment, and I never heard her sound that way again for any reason. It truly scares me that things are happening now, and here, that have me thinking of that moment so often.

An Education
There’s always been racism (and other forms of discrimination) in the world, in the United States, and we’ve  always known it’s there, and sometimes it’s more obvious than at other times. Lately, it’s just spewing forth all over the place, like all the toxic sludge that’s been pooling in the minds of bigots has suddenly been given permission to puke itself out all over the targets it’s always wanted to hit. 
I’m watching all this racism drip out of the woodwork and wondering where it comes from. I’ve never thought it through in detail before and there are probably two reasons for that lack of analysis on my part. First, as a white male I’ve rarely been the target of any racially-motivated negativity, and, second, I don’t feel the impulse toward being a racist in myself. But now I sit here thinking about where it comes from and I have to theorize that it must be most common in those whose life experience has been very, very limited in terms of their interactions with those who don’t share their skin color or religion or sexuality.
I was born in and grew up in Paterson, New Jersey. I went to school there. It’s a city where the school system is a mess. The elementary school I attended was one of the better ones in the city, but high school was different. I remember going there and, at the same time, knowing kids who went to school in neighboring areas like Wayne and West Paterson and being jealous of the fact that they were being taught things that were far ahead of what the Paterson high schools were offering. There in John F. Kennedy High School, we barely scratched the surface of basic science, hardly got into history at all, and it often seemed like we were all trapped in a factory that’s only goal was to provide enough education to squeeze the kids through the system and spit them out into the world so the public schools wouldn’t have to be responsible for them anymore. I felt bad for the teachers who tried their best but were up against too many obstacles. In terms of learning the subjects after which our classes were named, it was not a good experience.
The deficiencies of the school were not the fault of the students, although it is true that many of them had no desire, it seemed, to learn anything, or to even try.
And I’ve often blamed the school for giving me a lousy education and for making me feel like I didn’t want to go on to college because I needed to get away from that system for a while, and I never really went back. Now, years later, most people assume I went to college, because I’m a writer and I seem to know things about various topics. But my “education” has been self-endowed. I read, I listen, I watch.
So, yes, my formal education was lacking in many ways. But now, in the light of all the racism and other vileness being spewed about the country, I realize that my four years at JFKHS gave me another sort of education, a kind that is very important in a world of discrimination and categorization and Donald Trump’s influence and the atrocious attitudes of his fans.
What I said earlier about life experiences that involve interactions with people who aren’t just like you, well, that’s what I had in high school. For four years of my life, for seven or eight hours each day, in that little microcosm of the world, I was in the vast minority. The student body of JFKHS was about 40% Latino, 40% black, and about 10% Muslim, with the rest a mixture of Asian, Indian, and white. In my graduating class, there where, if I recall correctly, four white kids: me and one other having been born right there in Paterson and the other two being immigrants from Eastern Europe.
Now, I cannot possibly compare that short period of time to being a minority all the time, twenty-four hours a day, seven days a week, for a lifetime, but it gave me just the tiniest hint of what that’s like, and, even more importantly, it showed me the fundamental fact that all the differences between us are just minor details in the grand scheme of life and we are all human, all much more similar than we are different.
It didn’t take long before I stopped seeing those differences on anything more than a very superficial level, because I got to know my fellow students as people and not as categories. Some of them I liked, some of them I disliked. A few of them, I loved, and still do to this day. One of them remains among the most important people in my life. People. Not categories or colors or religions. People.
That’s why I wonder if the loud racists, the ones screaming on Twitter and pumping their fists in a zombie-like Trump victory dance and chanting about building walls and threatening people who don’t look just like them and acting like obnoxious assholes, have ever actually spent any time around the people they want to pass judgment on. Because it doesn’t take very long, unless you’re determined to keep the categorization at the forefront of your mind, to stop seeing the details and just see the people.
I think back to those days now (twenty-one years after graduation) and the memories are about personalities and words and actions, not about the trivial details of categories. The fact that M celebrated Ramadan and not Christmas was not a concern. I was more concerned about what he could do for the school’s baseball team. I didn’t care what language my friends spoke at home or when they talked to their other friends, as long as they spoke to me in English, because otherwise I would have had no idea what they were saying. When I got sick on the senior class trip, did I care that my roommate in the hotel was black? Of course not, because I was too busy being grateful that he wanted to make sure I was all right and that he helped me clean up after I vomited on the bed. I think of K, and in my memories I don’t consider the detail of her being Filipino-American, but I do recall how she moved to the area that last year of high school and very quickly accepted me for who I was and, since we had the same class schedule, we walked to each class together and were very good, comfortable friends.
And I think of S and my gratitude for her friendship knows no limit and I’m filled with joy at the fact that after a very regrettable separation of nearly two decades (that’s a story for another time), we are friends again and that feels so, so right, and I never want her to go away again, and her ethnicity does not factor into that set of emotions in the least.
All of us from that time were thrown into that place, that JFKHS because of where and when we happened to exist, and we were all human beings and the little, stupid, specific details of our lives (those things that others might see as big important categories) mattered very, very little in the long run.


An Incident
As I just finished saying, I now consider having gone to school where I did to have been a positive experience in some ways, but I don’t mean to imply that no racism and no negativity existed between the various people in that place. A high school is, after all, a microcosm of society and conflict exists everywhere.
Yes, there were ethnic conflicts, and they sometimes erupted into violence, and they often involved gangs made up of this ethnicity or that fighting others. The Dominicans having a problem with the Colombians or other such stuff that the rest of us kept out of.
But I don’t recall much open racial bitterness among those who weren’t members of one of those gangs. Sure, there was an occasional racially-based insult thrown around, but not as often as one might expect there to be in such a melting pot of people. I suppose those who weren’t used to being around those of other racial or ethnic or religious backgrounds might have been surprised by the cultural differences at first, but that seemed to fade away as they settled into the routine of the place.
However, there was one incident that I’m going to talk about here and now.
This is a story almost nobody knows. I haven’t talked about it much over the years. I would rather keep it to myself, but I feel it’s important to the reason I’m writing this whole blog post to try to describe how the incident made me feel then and how it makes me feel now, two decades later.
Earlier, I said that I have rarely known what it’s like to be the target of racially-motivated negativity. If you wondered why I said, “rarely” instead of  “never,” this is the part where I explain. 
It was either sophomore or junior year of high school. I think it was junior year, but I’m not certain after all this time. I was in the locker room changing back to my regular clothes after gym class. I was alone at a bench between two banks of lockers, minding my own business, putting my sweatpants into my bag and a fastening the belt of my regular pants when I became aware of someone standing nearby. I turned and saw three boys watching me. I didn’t know them, and I’m sure they weren’t in my grade. They were probably seniors, a year or two older than me. They were black.
They stepped closer. The way they moved toward me scared me. I zipped my bag shut as quickly as I could. I just wanted to get out of there as all my instincts screamed danger.
I didn’t cause any trouble in high school. I was a quiet, shy kid and kept to myself except when talking with teachers or with my few close friends, some of whom I mentioned in the previous section of this essay. I did nothing to instigate this incident. I went to gym class, which I hated, participated the best I could for a clumsy person, and was just getting dressed to go to my next class.
But they came closer, and one of them shouted the words, “White motherfucker,” and they were on me.
Fists slammed into my ribs, my back, my sides, my stomach. I was shoved up against the lockers and hit a few more times. Three against one, fast, furious, brutal. I had no chance to defend myself, no chance to flee. I managed to step away from the lockers so I was no longer pinned in place. And I stepped into the open space between the lockers and the bench and one of them hit me one last time, hard. I fell. I hit the floor hard and my glasses scraped across my face as they flew off, opening a gash on my forehead and the bridge of my nose.
My attackers ran. They laughed as they went. I stayed on the floor for a minute and tried to figure out what had just happened.
The shock subsided enough for me to pick myself up. I found my glasses and they were intact. I went into the bathroom, used toilet paper to slow the bleeding.
I walked to the nurse’s office, asked for some band-aids, and patched myself up.
And I lied to the nurse about what had happened. I made up a story about walking into a barbell in the weight room.
The lie was to protect myself, because the school had a policy that anybody involved in a fight would be suspended no matter who started it, and I didn’t want that on my record and I didn’t want any more trouble. I just wanted it to be over.
I hate being involved in violence. Even if I’m on the winning end of the fight (which I was in the only other fight I’d ever been in, a silly afterschool bout in the seventh grade), it makes me guilty and sick.
I didn’t tell my parents what had happened. I didn’t want them to worry about me.
I didn’t tell my friends at school. I didn’t want them to think less of me for having lost a fight, although I later realized I didn’t lose a fight, but was ambushed and beaten, which is an entirely different thing.
I’ve told that story once or twice in the years since, but I’ve mostly kept it to myself.
For the next few days, I looked for those guys in the hallways, but I was never sure who they were. There were 2,000 students in the school and I couldn’t know all of them. And it all happened so fast, and maybe hitting my head on that locker room floor made it all a bit blurry afterwards.
I soon felt normal again. I wasn’t afraid to go to school after the incident. It was the same place, the same mixture of good and bad, and I just happened to be the victim of one of the bad things that day.
For a while, I was angry. I’m still a little angry when I think about it now, because I was innocent and I became the target of someone else’s anger because I just happened to be there at that moment.
Based on what one of them said before they hit me, my race was the reason they did what they did. A coworker I told the story to responded to it with some racial slurs about black people. He seemed to think I should be angry at everybody who looks like those three unidentified attackers. That’s ludicrous. There were 2,000 students in the place. Forty percent were black. Some of that forty percent were my friends. Most of them, I didn’t know personally. Three of them hurt me. Three out of two-thousand. That’s not enough to influence my opinion of anyone beyond those three, never mind an entire race.
So, yes, I knew, for those few painful, frightening moments, what it was like to have a racial remark shouted at me and to be hit and hit and hit again and be left bleeding on a cold, hard floor. And that was among the most terrifying moments of my life and I would never wish that on anyone.
I had that small sample, and I can’t even imagine what it would be like to have to live with that fear all the time. And now that fear, the sense that these things can and do happen to people because of their skin color or their religion or their sexuality has been inflated by the results of the recent election. It doesn’t matter if the president-elect meant to inspire some of his supporters to be emboldened to express their hateful views and act according to those views. It doesn’t matter one damn bit if he meant to do that. It happened and it’s horrifying.
It had been a long time since I’d thought of that locker room attack. But that memory has been replaying in my mind  a lot since the election and the disturbing events that have followed it. I didn’t want to revisit that piece of my past, but it’s in rotation now and I had to write about it here.
It seems the chances of a person being attacked because of race may have increased in recent times, instead of decreasing, which is what should be happening as the world learns from past mistakes, but maybe we’ve taken a step backwards. Nobody should have to fear being the subject of violence because of the color of their skin, whether black, white, or anything else. I don’t want anybody, anywhere, to have to feel what I felt in that locker room.


Those Silly Little Details, Magnified
From my reply to a friend’s Facebook post two days after the election:
There's something going on these past few days that I find so disturbing that it almost brings me to tears, and that is the fact that I'm suddenly (out of concern) thinking of the people I care about in terms of categories, because I'm worried about them now and scared what those categories will cause other people to say or do to them.
And I never think about them that way; it's not the way my mind normally operates. But my best friend is a woman who grew up in Brazil, and I rarely think about her ethnicity or accent, and now I worry she'll be the target of "wall" comments.
And my oldest friend--who I wouldn't have made it through high school without and who was, when I was an awkward teenage outcast, one of the few people I really felt understood me--wears a hijab, which I don't even notice or think about normally, but now I'm terrified she'll have to put up with bullshit and abuse because of that piece of clothing.
And I worry about the several dozen new relatives-in-law I'll soon have because of my brother's imminent marriage to a black woman, and I worry that there are now people walking around who will feel emboldened to say what they may have only thought before recent developments and give them grief for having an interracial relationship.
And I'm worried about my Jewish friends having to hear anti-Semitic stuff being yelled because some of these Trump fans seem to be basking in the Hitler comparisons instead of doing what anybody with any sense of history should have been doing, which of course is running into that voting booth and choosing Hillary Clinton.
This is the 21st century and suddenly I'm thinking of my friends in terms of race and religion and nation of origin and sexuality in addition to who they are in personality, because I'm suddenly worried that those details of their lives will make them potential targets for the assholes who think it's acceptable behavior to judge a human being based on skin color or head-wear or what they do in the privacy of their bedrooms.
And I'm not supposed to be thinking about them in this way, but now I am, because I'm worried. I should not have to be sitting here feeling like I should call these people and tell them that I'm here if they need me because of any problems that arise because of what's happened this week. This is so, so, so wrong. And I really want this feeling to go away.
And now, fourteen days after the election:
The president-elect still hasn’t formally or forcefully renounced those committing hateful acts or speaking hateful words in his name, except for a few brief statements during two interviews saying, “They should stop it,” and then, “I disavow them.” Instead, he’s spent more time whining on social media about the way a group of actors at a play his running mate attended addressed the vice-president-elect (in what looked to most of us as a respectful request for the man to not violate their rights when he assumes office). And he’s complaining about the way he’s been portrayed by an actor on Saturday Night Live, as if he’s the only politician ever to be made fun of on a comedy show (it comes with being a public figure!). Meanwhile, white supremacists are making Nazi salutes and chanting “Hail Trump!” and he hasn’t put much effort at all into denouncing that, and he’s appointing cabinet members with vile records of racism and other absolutely disgusting points of view.
And I had lunch the other day with my old friend, the one who wears the scarf, and she’s terrified that her children, her Muslim children who were born in the United States and raised in the United States and had for a mother one of the best people I’ve ever known and have been good kids and have been pretty lucky in life so far, may soon have to face real, brutal discrimination and harassment for the first time in their lives, here, in America, where we should be long past things like that happening.
Yes, nasty things like that have always happened, and, unfortunately, they probably always will, but now it seems as if we’ve gone backwards a few steps and those in power, or soon to be coming into power, are some of those who would applaud and encourage those backward steps.
I’m being forced to think of people I care about in terms of categories, and I don’t like it one bit, but I’m worried, and my mind keeps going back to that photo album of Great-Grandma’s.      


On Religion and Respect
I don’t like religion. I have no use for it in my life, at least as far as practicing it goes. My mind is the type that requires evidence in order to believe in something, and I see no evidence presented in any of the world’s religions, so I cannot subscribe to any of them.
I do find religion interesting, though. How could I not, as it’s had such an impact on human behavior and history. As an artist, I find its symbolism fascinating. And I’m aware that it plays a part in the lives of many, many people.
Religion is as much a target for hate and discrimination as race is, and that’s at the forefront of the news in these post-election weeks, with Anti-Semitic vandalism showing up more prominently, and Anti-Muslim rhetoric increasing. And it’s upsetting and it’s horrifying and human beings should not be subject to this.
Religion is a little different than race or ethnicity as far as how it should be judged, because religion, unlike those other things, is not a detail that nature or geography bestows on  a human being. Rather, it is a form of behavior, and that behavior can have positive or negative consequences for the believer’s fellow human beings. Good has been done in the name of religion, and so has evil. That evil is unfortunate and anyone performing such acts should have to pay a price for their misdeeds.
But it is extremely wrong to judge all the followers of a religion by the deeds of the percentage who commit acts of terrorism or violence or whatever the case may be. And it is obscenely wrong to assume that a person is your enemy or deserves to be feared or hated or slandered or assaulted or killed because of no data other than their religion.
As an American, I respect the right of any human being to follow the religion of their choice, provided, of course, that they do not use it as an excuse to inflict harm on anyone else. 
Based on what I’ve seen in life, there are such different degrees of a person’s involvement with religion (any religion), that to judge them based solely on that is ludicrous. Some people follow a religion only out of tradition because they had it handed down to them by their parents and it has little bearing on their day to day life. Others belief deeply and sincerely but keep it to themselves or share it only with those who practice or worship with them. Some talk about it often and openly but either don’t try to convince others of its validity or, at worst, do try to convert others but in a harmless, mostly just annoying way. I have no issue with most of those people, no matter which religion they follow in any of those mostly harmless ways (and I just avoid the annoying ones in that last group).
So, what does that leave? It leaves the extremists, the ones who, for whatever reason, decide to use that religion as an excuse to inflict pain on their fellow human beings. That’s reprehensible, but it should never be assumed that a person is one of those monsters simply because he or she subscribes to the same religion as those guilty parties (we’re talking about large religions here, those with thousands or millions of followers, not the little cults and other exceptions like, for example, the followers of Charles Manson, who had their own sort of bizarre religion going on. With little groups like that, I’d say it’s perfectly fine to judge them all as dangerous).
This, in theory, is where the problem starts. It seems that sometimes the followers of one religion can’t see past the fact that not all followers of another religion are extremists or fanatics. Let’s take, for example, the largest religion in the United States, which is Christianity (we’ll disregard, at the moment, the many subdivisions of Christianity and just treat it as one large religion). How offended or insulted would a Christian be if someone assumed every Christian acted or thought like those that make up the infamous Westboro Baptist Church (an absolutely monstrous organization based on hate), or the Ku Klux Klan? But, take a Christian who, like many people, can’t see a person of a different religion as anything but a piece of the religion (thus ignoring everything else about that person or not bothering to learn anything else about that person before passing judgment) and he may act as if every Muslim must be of the same mindset as a member of Al-Qaeda or ISIS.
Religion, for the vast majority of human beings is, I think, a detail of who they are, not the essential core of who they are. Whether Christian, Jew, Muslim, Hindu, Sikh, or whatever, we all have more in common than we have differences. It’s just that tendency some of us have of seeing a person of a religion other than ours as the religion and not as a human being who happens to practice it, that keeps us from realizing that.
Stop and think about that for a minute. I’m not talking about fanatics and extremists. There are some of those, yes, but to assume all people of a religion (unless it’s your religion) have that fanatic or extremist inside them, makes you the one with the problem, not them.
In all probability, that Muslim woman in the supermarket, the one you imagine in your mind looking at you and thinking you’re an “infidel” and wanting to blow you up, is thinking nothing of the sort. She’s shopping. She’s buying food to feed her family, just like you are. But she’s dressed differently than you think she should be and it makes you uncomfortable because you can’t see a person who’s not just like you as anything but a symbol of something that scares you because you don’t understand it (maybe because you’ve never bothered to try, maybe because you just don’t have any experience at being around people who aren’t just like you, and maybe because you’re just too damn stubborn to give people a chance).
People are not caricatures. It’s more complex than that. Religion is not the defining characteristic of most people. But it’s also simpler than that, because religion, in most cases, is a detail, not an identity. What is the identity, then? It’s humanity, and we have most of that in common with each other, more in common than different, regardless of which tradition or faith or lack thereof we believe in.
The moment you assume an individual is an extremist or fanatic based solely on the fact that they belong to a different religion than you do, it is YOU who have become the extremist.


On Sexuality
I don’t care one bit what anybody does in the bedroom unless I’m in there with them.
The fact that Mike Pence has spent so much of his career worrying about that issue is disturbing.


The Big Question
If you’re one of those people who judges or hates or discriminates against those who are slightly different than you are in terms of race or religion or sexuality or ethnicity and you treat them as less than human because of those details, rather than look at all the things you have in common with them, which is everything except those details, I want an answer to this question:
What are you so afraid of?
Do you even know? Or are you acting out of habit, out of tradition, out of selfishness because you fear change and you fear interaction with what you don’t understand, or out of being too lazy to attempt to see the reality that we are all human despite the silly little details that we turn into such a big deal?
To those of you who can’t look past the little details, to those of you who think it’s wise to chant about walls being built and try to force your religion or your opinion of what’s right or wrong sexually on people who aren’t bothering you in any way, shape, or form, and to those of you who let those little details and differences override your ability to see human beings instead of caricatures and threats, do you know what you really are? You’re a bunch of cowards!  
Look at these people and try to see past all the details. See the human beings. Talk to them. You don’t know what will happen, but you’ll probably learn something, and you might even make connections that will change your life in positive ways.
The alternative is misery, if not for you then for someone else who has every bit as much a right to live, to succeed, to enjoy the freedoms that are part of what a properly functioning America is supposed to be.
That alternative is an ugly thing, and we’re seeing a bit more of that ugly thing lately.  
 Is that what you want? To live in a racist world, a segregated world, a divided world? That would mean a world where an infinite number of potential connections, friendships, discoveries, and loves were prevented before they even had a possibility of happening. A world of fear and racism and xenophobia is a world of lost opportunities. America deserves better than that. Every human being deserves better than that.   

Monday, August 1, 2016

Mythology III: The Search for Relevance (an album review)



Today’s blog entry is something a little different (and it’s my first post in a long time; I really should do this more often).

This is only the second time the focus here is on music. The first was my review of Led Zeppelin’s concert film Celebration Day several years ago.

Today, I’ll be reviewing an album I just heard for the first time a few days ago: The Search for Relevance, the third album from the band MYTHOLOGY. 

Here's the cover! 


First, a bit of background. My interest in music is currently at a level it hasn’t been at in years. There was a time when music was my primary interest. I played guitar for several years in my late teens and early twenties (though at the time I didn’t have the discipline to get much further with it than amusing myself by Jimmy Paging my way around the basement) and spent many of my evenings with a band composed of friends of mine (I miss those days and those guys!).

But that was a long time ago and in the intervening years music became part of the background of my life and not a focus. I’ve always loved music, but I sort of drifted away from taking an active interest in it.
That changed recently. I began to listen more. And having more energy due to a change to a job that leaves me a little less stressed out at the end of the workday, I’ve picked up the guitar again and have learned more in a few months than I did in those years of my youth, probably due to the fact that I’m learning the right way now, with patience and work instead of strutting around trying to impress myself with noise! That’s not to say I’m any good at it yet, but I can feel a bit of improvement each day.

So, yes, music is back on my mind a lot of the time. And now I have this album in front of me and I like it enough to sit here and write about it.

Mythology’s drummer, Jordan Morrissey, is a coworker of mine. I make it a habit to seek out the creative people around me, whether they be writers, artists, or musicians. Jordan was kind enough to send me links to some short samples of the songs on the album and I liked them enough to buy the whole disc … and I am very glad I did! 

I popped it into my car’s CD player as I drove home during a powerful rainstorm a few days ago and I was impressed right from the start. 

Mythology is a three-piece band consisting of  the previously mentioned Jordan Morrissey on drums and backing vocals, Brynen A. Sosa on guitar and lead vocals, and Dane Carmichael on bass and backing vocals. The album also features some work on violin, piano, and a French horn.

Here's the band in a picture swiped from Twitter! 


The music of Mythology falls into the category of Progressive Rock, but I see no need for me to give it any further labels, because good music is good music and this album has sections that could fall into several subgenres of rock, and I see various influences at work. Or maybe I should say I can guess at various influences, since I can’t read the band members’ minds.

And, speaking of not reading minds or otherwise guessing at things, there are places in this review where I do guess at certain things I think I hear being done within the songs. If any of these semi-educated guesses of mine happen to be wrong, I would welcome a correction should any of the band members feel one is needed.    

But enough of my long preamble. What’s the album actually like? Okay, here we go …

It opens with a long epic, “Swashbuckling Swashbucklers,” which should (if the listener has any taste whatsoever) have you hooked from the beginning. It immediately proves that Mythology is a tight, skilled trio of musicians. Like the best power trios, (Cream comes to mind) Mythology manages to always have something going on, so there’s no empty air, while still allowing each of the three musicians plenty of time in the spotlight. Sosa’s guitar work is outstanding and bounces all over the place in this opening track, ably aided by Carmichael’s bass lines, which stand out too, which is always good, as it’s far too easy for the bass to get lost in a mix. Morrissey’s drumming changes style several times during the song, each time complementing the other musicians superbly, except of course for that long stretch in the middle when the drums fall silent, but that too fits the song’s style. The best thing about “Swashbucklers” just might be the lyrics. These are good lyrics, evoking images, telling a story, and sounding—this might sound weird—surprisingly English for a band from New Jersey, but I mean that as a compliment! The words take on a well-phrased storytelling style that had me thinking of Ian Anderson of Jethro Tull or the songs of Emerson, Lake, and Palmer, with the subject matter being somehow distantly related to Led Zeppelin’s “The Immigrant Song,” though more complex than Zep’s short battle hymn, as well as to Cream’s “Tales of Brave Ulysses.” Overall, “Swashbucklers” is an excellent opening, justifying its 8 minute length by going through a number of stylistic changes, all of which work well as parts of a whole, while giving a good demonstration of what each of the three band members is capable of.

The second track, “Armenian Blues #5,” is an instrumental, and a very good one. In an interesting combination of grace and power, Sosa’s guitar in the first section of this song sings a long string of graceful melodic phrases punctuated by sudden barrages of power chords, while the drums match pace with each of the changes. Behind that, the bass thumps along in a way that fits the song but stands slightly apart, bouncing to its own rhythm, which makes this feel like 2 songs for the price of 1, and that’s a very good deal. But the surprises aren’t over. At the halfway mark, Sosa’s guitar switches to an exotic acoustic sound that shows the influence of Django Reinhardt and again changes the tone of the piece. There is so much going on in this song that it’s possible to listen three times and have a completely different experience each time, simply by focusing on its various components. On one of the album’s later tracks, Sosa says, “You probably wouldn’t listen to this song if it was an instrumental!” Sometimes (and I’ve done this too) there are reasons why listeners skip the instrumentals. Instrumentals can seem boring if there’s not enough going on to justify the lack of lyrics or tell a compelling story without words, or, on the other side of the coin, they can seem like show-off pieces, nothing more than musical masturbation for someone to prove how fast or how complicated their playing can be. “Armenian Blues #5” is not guilty of either of those charges. It is well worth listening to and you won’t even notice it has no vocals. It is not an instrumental for the sake of being an instrumental, but a song that has everything it needs and then some!

The third song, “To Those We’ve Lost,” is the gentlest on the album and perhaps the best lyrically. It starts with Sosa’s acoustic guitar work, slow and sad, with just a sprinkling of Morrissey’s percussion as an accent. Then the vocals come in and, I must admit, those words are so beautifully composed that they had me choked up a bit the first time I listened. I will not repeat any of the lyrics here, because you need to hear them for yourself, but they paint a vivid picture of regret and loneliness. This is a song I can appreciate both as a music lover and as a writer. And it’s not just the story it tells that makes it work, it’s what the texture of the music adds to the tale that makes it (at least this time, upon my fourth listen to the album) my current favorite on the disc. By the way, if whoever is reading this is a fan of Led Zeppelin, listen for the sparingly used upstrokes on certain chords that give it, in a few places, a very “Rain Song” vibe. “To Those We’ve Lost” is wonderful on all counts.

Next, for the fourth track, comes the album’s big risk, “Sosa’s Requiem.” If this had been done slightly differently, it might have sunk the whole experience. It’s one thing to have certain opinions about the current state of music. We’re all entitled to our opinions. It’s another thing entirely to etch those feelings permanently on an album and have the nerve to call the majority of modern bands “diarrhea.” A world famous act can come across as irritating by doing something even remotely like that (see Bob Segar’s “Old Time Rock and Roll,” which is the world’s second most annoying song, after only the Three’s Company theme!), so it’s risky (and courageous) for a band without a huge reputation to stick something like that on their record. To make a somewhat vulgar analogy, if you’re going to write a song bragging about the size of your cock, you’d damn well better be able to back it up with a riff the size of “Whole Lotta Love.” Well, the good news is that the risk paid off and the song works, not only because all the complaints Sosa sings are opinions I agree with (there’s some newer music I like, but it’s been a long time since I heard something that made me NEED to buy it NOW), but because he and his band mates back the string of verbal jabs up with a very good piece of music, showing that Mythology does indeed have the musical skill, if not the fame (yet? One can only hope), to legitimize their stance on the issue. Musically, the song contains a fun main guitar riff complemented by a prominent bass line and a very busy drummer who sounds like he’s grown a few tentacles to help with certain parts of this one. There’s also a good guitar solo with a tone that strongly reminds me of something, though I can’t quite place it as I write this. But, getting back to the song’s subject, halfway through the piece Sosa sings, “Is there anyone who feels the same?”  In many ways, I do, and I’ll say this: I miss Pink Floyd, too, Brynen. I really do.

Now we come to the album’s second instrumental, with it’s odd title of “Shmuley Boteach.” Okay, here’s the story, according to the singer as he introduced the song to a live audience in a YouTube video I watched: Shmuley Boteach is a rabbi, author, and TV host (go look him up on Wikipedia if you want), whose name stuck in Mr. Sosa’s head just because it sounds so strange … and now it’s stuck in my head, damn it all to hell! So, since it’s an instrumental and there are no lyrics to base the title on, the name that will stick in your head like an arrow now belongs not only to a man but to a song! Why not? Having Googled Shmuley Boteach out of curiosity, I’ve decided he looks like actor Bradley Cooper with a beard. 


But enough about the origin of the song’s name. What about the song itself? It begins with a steady drum beat behind a nicely melodic guitar line that sounds somewhat Middle Eastern and is then joined by another prominent bass line (have I mentioned how much I love that the bass doesn’t get lost in the mix on this album?). This continues throughout the song’s three and a half minutes with enough variations to keep it interesting. It’s the album’s shortest song (not counting the 29 second epilogue “The March of May”), just a quick little paragraph of interesting sound.

And after that short one we get to the longest piece, a 13 minute science fiction rock novel of a song called “Return to Planet Zeblos,” which is then subdivided into four sections, but I’m too lazy to try to figure out exactly where each chapter begins and ends. Anyway, I’d much rather just go with the ride it takes us on. Lyrically and vocally, there’s a bit of Bowie sprinkled in, and that’s always a good thing! It doesn’t feel like thirteen minutes, because there’s nothing repetitive or monotonous about it. The tempo keeps changing, the drumming goes through a galaxy of shifts in style, and the guitar and bass keep doing interesting things. The science fiction feel of the piece is added to by some effects, but only to the point where they enhance the song without overwhelming the music. Restraint is always vest when it comes to effects. Perhaps the best thing about “Zeblos” is how it manages to connect to the progressive rock of the 70s (does anybody else remember Starcastle?), while seeming not like a relic or throwback to that era, but like the next grandchild in that same family tree (or maybe solar system?). That’s quite an accomplishment and a very good way to end the album.     

That covers all the songs on The Search for Relevance. It’s an excellent collection from start to finish.

A few closing thoughts:
I do not feel as if I just reviewed an album by someone I met at work. This ceased to be me reviewing the music of a “local band” the minute I heard that first track. This is a polished, professional piece of work that I truly wish was getting massive amounts of radio play right now. I hope this review will inspire other people to check out Mythology’s music. Getting to hear this has been one of the best bonuses of starting that new job of mine! I’m as happy to have this CD included in my collection as I am any of the other discs on my shelf.
And I’m thrilled to know that there are two previous Mythology albums, and I intend to listen to those as soon as I can get my hands on them.

Here’s a link to Mythology’s website.  http://mythologyband.com/ 
 Please give these guys a listen. They deserve it, and so do you!