10 Lessons Star Wars Taught Me About Life and Storytelling

“I remember when I saw STAR WARS back in 1977. To this day it’s the closest I’ve ever come to a religious epiphany.” That quote is from a recent Facebook post by my friend, the writer Derrick Ferguson. I think it perfectly expresses how many of us feel about the effect that movie and its sequels had on us.

I am a member of the Star Wars generation. I was born in March, 1977, a few months before the release of the first movie. I never got to see Star Wars in the theater during its original run, of course, but, three years later, my very first moviegoing experience was The Empire Strikes Back (thanks, Dad!). Regardless of being born a bit too close to the release of the first film to see it first run, you can bet all your smuggled credits I knew the story backwards and forwards. How could I not when, because of when I happened to come into this world, I was absolutely surrounded by the action figures, comic books, records that told the story, and all the other merchandising that avalanched down upon the world after the success of George Lucas’s magnificent space opera?  

Now, at the age of 38, with the newest Star Wars movie just having been released (no, I haven’t seen it yet, but I will as soon as I can), I’m pondering just what a tremendous impact the original trilogy (I really dislike the prequels) had not only on my childhood, but on my imagination as I grew to be a man and a writer.

Before I encountered all the other films, literature, comics, and other forms of art and entertainment that influenced me, there was Star Wars. My exposure to it even predates my other favorite universes, like the fictional future of Star Trek, the Victorian-era mysteries of Sherlock Holmes, the horror-laden concepts of H.P. Lovecraft, and the wonderful stories of J.R.R. Tolkien. Before all that, and all the stories in all their formats that I read or saw in later years, there was Star Wars, and it’s had an effect on my life that I cannot even calculate the depth of.   

Here are ten things I now realize I initially learned from those three amazing movies, Star Wars, The Empire Strikes Back, and Return of the Jedi.  

I suspect that if I look back on this list in ten or twenty or thirty years, these points will still be informing the way I think, the way I dream, the way I write, and the way I view the world around me.

1. It can be more fun to root for the underdog.

That where the drama comes from! Seeing a small group of rebels face the mighty Empire is what makes Star Wars work. And the same could be said of Gandalf and his band of hobbits, elves, and dwarves in The Lord of the Rings, or of so many other great adventure stories. The joy of adventure fiction comes from betting on the side that the odds are against. And this bleeds over into other aspects of life too. Even when it comes to sports, I find victory means more when your team isn’t expected to win. I got more satisfaction out of the Yankees just managing to make the playoffs this past season (and, unfortunately, losing in the first round) than I did in some of the years when they were sure to win the World Series and did.  

   

2. The mentor is just as important as the hero.

As a kid, Star Wars was, to me, all about Luke. That’s who I wanted to be. But, looking back, I realize the importance of Obi-Wan (and Yoda, too) and how indispensable those guiding teachers are to our hero’s success. Gandalf, Professor Charles Xavier, Burgess Meredith in Clash of the Titans, and Laurence Fishburne in The Matrix: those characters are essential to the stories and their presence should not be too overshadowed by the younger heroes we are more likely to identify with.    

3. The monster in the backyard can be just as scary as the big villain.

One of the things that add such wonderful texture to the Star Wars universe is how danger lurks around every corner and on every planet and how those threats don’t always come from the Empire. Sand people on Tattooine, the creature that hangs Luke upside down (presumably to eat later) on Hoth, and the asteroid that turns out to be a living creature are all examples of how a world with many small dangers scattered about is more interesting than one with only a single main villain or set of villains.

4. Women can be kickass heroes.

As a little boy, I, of course, wanted to be Luke Skywalker. And I thought of heroes as usually being men because that’s how it was in most of the fiction I was exposed to. Even today, I see fans of Luke debating fans of Han about who was better. But we can’t forget Leia! Princess Leia was the glue that held that story together and was just as important as the boys. She sets the whole story in motion by drawing Obi-Wan back into action. She gets captured by two of the most feared members of the Empire, Darth Vader and his boss, Grand Moff Tarkin, and then (while Luke is still a naïve farm boy on Tattooine) proceeds not to cower in fear but instead threatens Vader with political ramifications and tells Tarkin he smells bad! And, something I realized only recently: the only time in the original trilogy that a major hero kills a major villain up close and personally is when Leia strangles Jabba with a chain! Tarkin died in the Death Star explosion, Vader and the Emperor killed each other, and I don’t think Greedo or Boba Fett (despite the latter's popularity, which comes from the fact that he looks cool) qualify as major villains on the level of the others I’ve just mentioned. Leia was, I think, the first female character I encountered who was just as tough (and maybe more so) as her male co-adventurers.   

  

5. Comedy has a place in even the most serious stories.

Star Wars is a dark story at times, certainly an exciting one, and full of suspense (especially when you’re a kid), and those wonderful little exchanges between R2-D2 and C3P0 nicely break up the tension and give the films a rhythm that’s just right for the rousing adventure series it is. I find that now, as a writer, I often find a way to sneak something I hope will induce a laugh or smile in the reader into even the darkest of my stories.   

6. You don’t have to know everything about every character.

Han Solo was a smuggler, a rascal, a greedy son-of-a-bitch with an “interesting” past, and that’s all we needed to know when we met him. Some characters work best that way. Marvel Comics’ Wolverine used to be one of my favorite superheroes, until Marvel decided to reveal way too much about his previously mysterious past, and that ruined the character. With James Bond, we were told everything we needed to know about him in the first 10 minutes of DR. NO: he works for the British government, he’s been on dangerous assignments before, he’s armed, he gambles, he seduces women, he drinks, and he smokes. The essence of Bond was boiled down and we, the viewers, were expected to take it from there, and we did, for 19 more movies! Contrast that with the recent, rebooted Bond movie series featuring Daniel Craig as 007. Those movies range from great to very mediocre, but if they commit one major sin it’s going too deeply into over explaining who Bond is and how he got that way. We don’t need fully detailed origins and histories for every single character!  

7. Sword fights are awesome!

There’s something about sword fighting that’s just so much fun! It’s better than watching people shoot at each other. It’s up close and personal, fast-paced, can go on for a long time or end with a single, deadly thrust. As much as I love the sword fights in Errol Flynn movies and Zorro and other such classics, my love of that sort of action began with the lightsaber duels in Star Wars.   

8. Injury can be scarier than death.

Seeing the Death Star blow up or even watching Obi-Wan struck down by Vader didn’t get to me nearly as much as that moment in The Empire Strike Back when Vader cuts off Luke’s hand. That scene horrified me when I was a kid, probably because it was something I hadn’t considered before, the idea that a heroic character could suffer a permanent injury like that.

9. Good stories mean different things to us at different times.

I must have seen each of the three films in the original Star Wars trilogy several dozen times, and I still haven’t gotten tired of them. This is because they mean different things to me at different times. I’ve identified with Luke on some viewings, Han on others. I’ve had times when my attention was focused on the brilliant performances of the first film’s two legendary supporting actors, Sir Alec Guinness and Peter Cushing. In fact, Star Wars took on a whole new dimension a few years back when I watched it for the first time after seeing many more of Cushing’s films in the interim and having him become one of my favorite actors. Suddenly, Tarkin wasn’t just that old man who bossed Darth Vader around. Instead, he was the main villain of the first movie, and a frightening one at that. I’ve seen Star Wars as the great entertainment experience of my childhood, as a sentimental favorite of my adult life, and as a fascinating example of how certain threads of myth and archetype runs through modern films just as much as they ran through the various religions and epics of our ancestors from nations and cultures all across the world. Every time I watch the Star Wars movies, I find a new angle from which to consider them, a new way to enjoy them.   

10. Tell that story! Write that book! You have nothing to lose and everything to gain.

As a writer, it’s easy to discard an idea or a story, because it often seems overwhelmingly unlikely that it could ever mean much to anybody else. “Who would want to read that?” we say to ourselves in moments of doubt. It certainly wasn’t easy for George Lucas to have Star Wars made. To studio executives, seeing the idea on paper, it must have looked to some of them like a silly little space opera more fit for a B-movie than a “real film.” And here we are, 38 years after its release, and it’s not only a story beloved by millions of people who had their entire childhoods shaped by it; it’s also a piece of storytelling and cultural mythology that’s been permanently etched into the consciousness of the human race. That’s not an exaggeration. We quote it constantly in all sorts of situations. People are flocking to theaters as I type this because they can’t wait to see the next part of the ongoing epic of Star Wars. That little story by George Lucas caught hold of the imagination of a generation and has yet to let go, almost four decades later. That story was an underdog. And it won. Now it’s immortal. Don’t let your imagination be discouraged. 

Origins

“Where did you grow up?”

It’s a common enough question, one I’ve been asked many times in casual conversation. The mundane answer would be, “Paterson, New Jersey.” Yes, Paterson, once a great industrial city, birthplace of Lou Costello, now a decaying, crime-ridden mess. But Paterson is only part of the answer. I was born there, lived there until I was nineteen, so yes, I grew up there, but a man whose best feature is his imagination (and it must be, ‘cause it sure ain’t my looks or personality!), has many homes encountered in many ways. So here’s the rest of the answer, the facts that go beyond the easy answer of Paterson, New Jersey:

I grew up on Baker Street, where the client comes panicked and tells a terrible tale while Watson packs his revolver and the game is suddenly, joyously afoot.

And I grew up in the 23^rd century, on a great ship where the captain is brave and confident, the first officer logical, and the doctor is the real McCoy (not an Urban legend).

And I grew up in a very specific New York City, selling selfies to finance my webs and hiding the wonderful, terrible truth from dear old Aunt May, and I could see the Baxter Building towering over us and I knew that even the streets of Hell’s Kitchen were safe because justice is blind.

And I grew up in Gotham, waiting for a signal that outshines the moon, a call to arms, for the hour to don cloak and cowl and chase down clowns, cats, and others of that superstitious, cowardly lot.

And I grew up in Cimmeria, surviving on sword and wits and wanderlust.

And I grew up in Innsmouth, where the air smells of fish and strangers are most unwelcome.

And I grew up in the Carpathians, where the children of the night make sweet music and the dead travel fast.

And I grew up on Tattooine, and flew off across the stars with an old hermit and a master pilot and his loyal, furry first mate.

And I grew up in the October Country, where a saint named Ray showed me how mood and essence are just as vital as plot.

And I grew up in London and a plethora of other places, where my face often changed while my name and number stayed the same and the gun never left my hand except when my arms were around an exotic beauty, and the world was always better shaken than it was stirred.

And I grew up in Middle Earth and traveled far and wide and back again in the company of wizards, dwarves, and elves.

And I grew up in jungles and battlefields and on pirate ships and in Sherwood Forest and Ancient Egypt and Rome in the days of Caesar, and Camelot and ‘Salem’s Lot.

And I grew up under an opera house where the Phantom silently terrified the world with a simple revelation of what waits beneath his mask.

And I grew up in a strange neighborhood where a family of monsters lived down the street from a witch, a Martian, and a talking horse.

And I grew up in the ‘40s flashing a whip, punching Nazis, and fearing snakes.

 And I regenerated in a blue box that’s bigger on the inside and can take you anywhere and any-when and safely home again or onward farther and deeper than imagination itself.

And I grew up in a hundred other places that etched their echoes into my mind and dreams and ideas and made me who I am today.

Paterson was only an ingredient. 

Discovering the Doctor

I thought I had run out of universes, but I was wrong!

            I’ve always been fond of discovering new fictional universes, vast spans of space and time filled with strange assortments of characters and seemingly infinite numbers of places to explore. I don’t mean worlds described in single books or movies, but universes that expand over time, guided by the imaginations of many creators, and become almost living entities of fiction, capturing the attention of generations of fans.

            I suppose Star Wars was the first thing to make me feel that way, as that galaxy far, far away and a long, long time ago caught my eye when I was just a small boy in the middle of the great Star Wars craze of the early 80s. Although I’m not impressed by the direction it took years later, and I’ve only seen the prequels once each, I still go back and revisit the original three movies once a year or so and the Star Wars universe is still a place that made my imagination grow by leaps and bounds in those early years of falling in love with science fiction and fantasy.

            Star Trek came next and I wanted to be part of that universe, wanted to board the Enterprise and sail the galaxies with Captain Kirk and crew. And not so long after I found Star Trek, that universe expanded quickly and joyfully, and I had a great time with the spin-offs, the novels, comic books, and all the other offspring of Gene Roddenberry’s glorious vision of humanity’s future.

            And I got much the same feeling of wonder when I fell into the world of comic books, finding the Marvel universe first and then the even older world of DC. It didn’t bother me that I was jumping into both worlds many decades after their genesis’ and I was fine with the fact that I’d probably never, in a million years, be able to read all the stories that had taken place in those universes. I loved that they were so vast, so full of possibilities, and bigger than my imagination could handle in one bite!

            Those were the big ones, the discoveries that blew my mind at the age when a mind is in the best condition to be blown, when I was still a child and still able to frequently get swept away in wonder. It happened several more times over the years, but rarely as dramatically. As I got older, read more books, saw more films, and began to write my own stories and eventually see them published, it became harder and harder to get lost in a fictional universe. That doesn’t mean I didn’t enjoy many stories over those years, but it wasn’t so easy to put myself at the mercy of the magic that comes with setting foot in a big, awe-inspiring universe that’s been there for so long and accumulated so much history that it seems you might never learn all there is to know about it.

            So yes, I thought I had run out of universes to explore. I never again expected to feel the way I did when I was eight and realized just how big the Marvel Universe or the world of Star Trek are. But then a wonderful thing happened. I decided to visit The Doctor.  

            I’d been aware of the existence of DOCTOR WHO for most of my life. Reading comics and science fiction magazines as I grew up, I would often see ads for the show and its related merchandise, yet I never got farther than a quick glance at those images. I knew DOCTOR WHO was a long-running series on British TV, that it had something to do with time travel, and that the part had been played by a series of eccentric-looking English actors, with the one I saw most often in those ads being a long-nosed man with a wide-brimmed hat and a ridiculously long scarf. That was all I knew for years. Later, I was aware that the series had been revived sometime after the year 2000 and had gained more popularity than it had ever had before, but I still didn’t bother to investigate further. I don’t know why I hesitated for so long. Maybe it just seemed like too much work. When I was younger, I dove headfirst into those previously mentioned fictional universes, not caring how much had gone on before my arrival. But now, being in my mid-thirties, with less free time than ever before, perhaps the Doctor’s long history intimidated me. Sure, I could have given myself a quick crash course via the internet and caught up with several visits to various websites and Wikipedia entries, but I hate doing things that way. I want to experience stories, not research them!  

            So what changed my mind after all those years and made me finally decide to check out DOCTOR WHO? I think it was a combination of three things. First, the months of buzz about the upcoming 50^th anniversary of DOCTOR WHO put the show on my radar. Second, Netflix put up some of the show for streaming, including a sampler of 18 stories from the original series stretching from the nineteen sixties to the eighties. And third, and probably most importantly, I began to notice that a great many of my fellow writers and other friends are fans of DOCTOR WHO. These are people whose opinions I trust and who share many of my interests in movies, books, TV, and other media. If their good taste in fiction had led them to the Doctor, I began to strongly suspect that the universe traveled by the TARDIS might be a place I’d enjoy exploring too. 

            So I took the plunge, beginning with the Netflix sampler, and started to watch DOCTOR WHO. I was hooked from the start! The first serial I watched was “The Aztecs,” from 1964, starring William Hartnell, the very first Doctor. The early science fiction TV charm of the show caught my attention immediately. I liked the eerie, pre-psychedelic opening credits, the storytelling that reminded me of things like the original Star Trek, and the Doctor’s stern, intellectual attitude. I breezed through that story and quickly moved on to the next one. There was only one Hartnell story streaming, so I was soon introduced to the second Doctor, played by Patrick Troughton, and his companions. Troughton’s Doctor, to be honest, irritated me at first with his panicked, jumpy personality and absent-minded professor style, but by the end of the serial I realized that it was all an act to hide his sly intellect, much the way my favorite TV detective, Columbo, exaggerates his sloppy eccentricity to annoy his suspects and throw them off guard.

            I soon moved on to the Third Doctor, played by Jon Pertwee, who was quite different from his two predecessors, getting in and out of trouble as a flamboyantly dressed, somewhat action-oriented character. I was treated to four stories with him, starting with his first, “The Spearhead from Space,” and ending with “The Green Death,” which remains one of my favorites.

            Next I watched a long stretch of nine stories featuring the Fourth Doctor, the extremely popular Tom Baker. He’s become my favorite and I can see why he’s so popular. I enjoyed the first two Baker stories, “The Ark in Space” and “Pyramids of Mars” (that second one was based around a theme I always enjoy, the merging of ancient Egyptian mythology and science fiction, similar to one of my favorite books, Roger Zelazny’s “Creatures of Light and Darkness”). 

            But it was the third Baker story I saw that made him my favorite. In “The Horror of Fang Rock,” a lighthouse crew is menaced by an alien monster. In one scene, the Doctor sits on the lighthouse steps and calmly chats with the creature, so casual and so confident, despite the deadly danger he’s in. I kept going through all the Baker stories that were available for streaming and came to appreciate his performance more and more. Baker was masterful at tossing out absurd lines casually and even politely in the face of dangerous situations or uncomfortable circumstances. “Would you mind not standing on my chest? My hat’s on fire.” 

            As I write this, I’ve just recently watched the ninth of those Baker stories, “The City of Death,” and I’m sad to have reached the end of what I have access to from the Fourth Doctor’s run. His stories were all entertaining and he was joined on his adventures by some of my favorites of his companions, characters like Sarah Jane Smith, Romana, and the robotic dog K-9.

            I still have three serials left on the Netflix sampler. When I next sit down to see the Doctor, I’ll be watching Peter Davidson in the role for the first time. When I’m done with that selection of episodes from the long-running original series, I intend to watch the newer series all the way through, beginning with Christopher Eccleston’s Ninth Doctor. I also plan to slowly find the time to track down and watch as many of the Doctor’s earlier adventures as I can, either by getting the DVDs from Netflix or maybe even buying some of them to own. I love the fact that I have literally hundreds of episodes left with which I can go back and see those earlier Doctors: Hartnell, Troughton, Pertwee, Baker, etc.

            So, yes, I seem to have become a Whovian! Now that I’ve described how I came to happily embark on my TARDIS-driven adventures, I’m wondering exactly what it is about DOCTOR WHO that appeals to me so much. I’m going to try to explain that.  

            The first reason is the most obvious. I’ve been a science fiction fan since I found Star Wars and Star Trek, both by the age of six or so. It makes sense that the time and space travel themes of DOCTOR WHO would appeal to me. I’d like to have the TARDIS almost as much as I’d like to soar through the stars aboard the Enterprise or Millennium Falcon.

            Second, the Doctor is the type of character I’ve grown fonder of as I’ve gotten older. He is what one might call the Eccentric Hero. As fans of fiction, I suppose we all often dream of being the most dashing or handsomest or strongest type of hero, the James Bond or Superman or Captain Kirk, but we don’t all grow up to fit that mold. I’ll never be 007 or that sort of man, the kind who can walk into a room and intimidate enemies and make women swoon and cause everyone to wish they were him. But I have my intelligence and my imagination and some people might even see me as a man with certain eccentricities. I can be a curmudgeon one minute and come up with a smart quip the next and sometimes be sneaky or sly or strategic in trying to get what I want. I’ve come to appreciate that sort of fictional character to a greater extent as I experience more of life. Sherlock Holmes has always been a favorite of mine, as have Hercule Poirot and Lt. Columbo and Gandalf. I think I have more of Obi-Wan than Luke Skywalker or Han Solo in me and I’m certainly more a Leonard McCoy than a James T. Kirk. The Doctor, in all his incarnations, is that sort of hero, a character who uses wit and knowledge and humor and unpredictability more than brute strength or irresistible charm to solve a problem or survive a sticky situation. So, on that level, I very much identify with the Doctor.            

            The third reason for my fascination with the universe of DOCTOR WHO is perhaps the most unexpected, and is something I realized somewhere in the middle of the Tom Baker episodes when I was really getting addicted. DOCTOR WHO is perhaps the most accidentally profound fictional concept I’ve ever encountered. I say “accidental” because I don’t think the creators of the show were trying to be philosophical. I assume they were just trying to make a decent science fiction show that people would want to watch. But I see more there than just fun tales of a traveler through space and time. The character and his experiences speak to me on a deeper level and maybe even become an analogy for some of the core concepts of being human (funny how we can often see more humanity in the alien characters than the Earth-born ones! I find myself thinking of Admiral Kirk’s words at Spock’s funeral in Star Trek II, “Of all the souls I have encountered in my travels, his was the most … human.”).

            Here are the connections I see between the Doctor’s exaggerated, fictional circumstances and the reality we all live with every day of our lives:

            We are all travelers through time and space. The time part is obvious. I will not be at the same point in time when I finish this essay as I was when I began it. It’s not as dramatic as leaping across centuries in a blue police box, but we do take our trips. And the space aspect of our lives might not seem as exciting as journeying to alien worlds, but the places we experience in our lives can be as different from each other as Mars and Neptune and Vulcan and Gallifrey. Different homes, towns, nations, schools, workplaces, etc. all impact who we are in one way or another. And we rarely end up exactly where we were trying to go, or at least rarely find the circumstances there to be precisely what we expected.

            And just like the Doctor, we regenerate often, probably more often than we know. I’ve been through many incarnations. All have had my name and my body, but I’ve been through many changes. I am not exactly who I was a year ago, or ten years before that. I change, as we all do, perhaps more than I realize at any particular point in time. And just as in episodes like “The Three Doctors,” when the Third Doctor teamed up with his First and Second versions, there do come times when more than one aspect of our lives collide and we feel as though more than one of us is sharing the same experience. I’ve been going through something a bit like that lately, as a new friend has reawakened some old interests of mine. Although I’ve changed since I last dealt with those subjects, it feels as if a past version of me is now working in cooperation with the incarnation of me that exists in 2013. There are many different variations of me stretched out across the 36 years I’ve lived so far in my life, just as the Doctor has worn many faces and personalities over the span of his TV series.

            And lastly, we come to the fact that although we will encounter many characters in our lives, we will, at different points in our existence, see different sets of people as our closest companions, as those who matter most to us at any given time.

            It seems as though the Doctor’s characteristics, the time and space travel, the regenerations, the changing cast of companions, are all fictionalized exaggerations of what real life is like. Maybe that’s the core of what makes DOCTOR WHO so popular, maybe that’s why generation after generation sticks with it and follows the TARDIS and its occupants on such a fascinating, unpredictable journey. At least that’s how I see it right now.

            So here I am, having discovered yet another fictional universe to explore, and I can’t wait to see what happens next. I’m still catching up on the Doctor’s first fifty years, and I look forward to seeing what surprises await us in the next fifty!  

             

                             

It Came From the Eighties!

I've always been fascinated by different periods of history and also by how those different times look to our minds' eyes as we think about them, whether we were there or have only read about them in history books or seen movies set in those years. Each decade seems to have certain elements that end up as archetypes that define, in the minds of many people, that particular series of years. When I think about my own life and the different decades I've lived through, I realize that the 1980s had a very strong impact on my development as a person and, years later, as a writer. Of course the 80s did, for that was the decade that contained most of my childhood. I was 3 in 1980 and 12 in 1989, and that's the part of life where the imagination really forms and certain images and themes embed themselves in the mind of a creative person. So I find myself considering which things that could only have happened in the Eighties really stuck in my head and had something to do with the person and writer I turned out to be. Here are some that come to mind.  

THE STAR WARS PHENOMENON 
Yes, I realize the first Star Wars movie came out in the late 70s, but the two sequels were in the 80s and the cultural craze those movies prompted lasted well into my childhood. I don't know if any other series of movies has ever had such an impact on so many children as Star Wars. The movies, its characters, the action figures, comic books, and everything else that had anything to do with George Lucas's science-fantasy saga surrounded us, penetrated us, and bound us all together just as the Force did in his movies. And for any kid who grew up wanting to be Luke or Han or Leia or even Darth Vader, the Force is still with us now.

IRON MAIDEN T-SHIRTS
This had nothing to do with music. When I was a very young kid in the early 80s, I had no idea that Iron Maiden was a band. I had never heard one of their songs. But those shirts seemed to be everywhere. You couldn't walk through the local mall without seeing at least one teenager wearing one of those shirts with their gruesome designs. They were scary! And that fascinated me. Seeing one of those shirts was like catching a brief glimpse into a strange nightmare world, and I loved the mystery of that feeling.

EARLY VIDEO GAMES
While I'm all for advances in technology and I think today's video games are wonderful to look at in all their realistic, precise detail (although I don't play them often), I'm glad I grew up at a time when the graphics were simpler and didn't look so much like perfect pictures of what they were supposed to be. Why? Because seeing what was on the screen and simultaneously seeing what you imagined the little colorful blips would really look like gave the imagination quite a workout! As I thrilled to The Legend of Zelda or Castlevania, I was seeing both the fuzzy little monsters on the TV and the frightful things they would have been if those images had been able to replicate what the story told me they were.

MTV WHEN IT SHOWED VIDEOS
There were some really weird looking rock stars in the 80s, and they made some interesting little films to go with their songs. As a kid seeing the New Wave videos or Michael Jackson's "Thriller" or so many other videos, it really didn't matter too much to me if I liked the music or not. The images that went with the songs sometimes sent my mind in interesting directions in ways that a song alone or a regular movie couldn't.

JEREMY BRETT AS SHERLOCK HOLMES
Anyone who reads this blog regularly knows that Sherlock Holmes is my favorite fictional character. I was very, very lucky to have discovered the Great Detective at a time when the most faithful series of film adaptations was being produced. Beginning in 1984, Jeremy Brett played Holmes in a Grenada Television series that adapted over 40 of Sir Arthur Conan Doyle's mysteries. They were as close to perfect as adaptations can be.

RONALD REAGAN
Putting him on my list has nothing to do with his specific politics, but rather his presence during the years in which I grew up. Having such a high-profile president in office at the time when I was first learning something about the history and government of my country made those subjects even more interesting to me. My opinions of what Reagan or any other president did or didn't do while in office are beyond the subject matter of this blog entry, but as a character in my early impressions of the world, Reagan deserves mention here.

PHOEBE CATES BY THE POOL
If you do the math, you'll realize that I was only 5 when Fast Times at Ridgemont High came out. No, I wasn't that precocious! But when it showed up on TV a few years later....let's just say it made quite an impression on me. As I later learned, it wasn't just me. When men of a certain age discuss certain things that had important impacts on their childhood, that movie (and especially that scene, with its soundtrack by The Cars) usually makes the list. 

If I thought about it for longer and really let my mind wander back through those years, I could probably come up with dozens, maybe hundreds of things from the 80s that influenced me then and still do today, but I've spent enough time in the past for one blog. Maybe I'll do a sequel some day.  

When Good and Evil Wear the Same Face

A few hours from now, it will be May 26, 2013, a date I feel I should commemorate here because it happens to be the 100th anniversary of the birth of one of my favorite actors, the great Peter Cushing.

Those of us who love movies in the genres of horror, mystery, and science fiction should all be grateful to Cushing for his incredible body of work. Perhaps the most amazing thing about his work as an actor was his ability to play both sides of the game, switching from hero to villain and back again from film to film with what looked to viewers like flawless ease, though it was more likely hard-earned skill. While actors who usually play heroic characters, like Harrison Ford, for example, occasionally have a turn as an evil swine, and those who most often portray villains, like Bela Lugosi, have had some sympathetic roles, I have a hard time thinking of another actor who played both sides as well and as often as Peter Cushing.

To think about this in terms of just his most well-known roles, Cushing's version of Van Helsing was one of the best and most famous. He played Sherlock Holmes too, both in the Hammer version of The Hound of the Baskervilles and later in a BBC television series. He is among my favorite Holmes actors, right up there alongside Jeremy Brett and Basil Rathbone. And he also portrayed The Doctor in two Doctor Who movies. That's three massively important heroic characters.

On the evil side, who could forget his Dr. Frankenstein and, perhaps even more famously, his important role in a film that defined the childhoods of so many of us who grew up in the 70s and 80s, Star Wars? As far as I'm concerned, Cushing's Grand Moff Tarkin was the main villain in Star Wars. Looking back with hindsight after all the movies, people tend to think of Darth Vader as the big bad guy in George Lucas's trilogy, but Vader wasn't much more than a henchman in the first one, while Tarkin was obviously in control. He barked, "Vader, release him!" and Vader did.

Peter Cushing is one of a handful of actors whose work I always enjoy, whether in a classic like Star Wars or Horror of Dracula or The Hound of the Baskervilles, or in any of the lesser films he did over his long career. Like any prolific actor, Cushing was in his share of lousy movies too, but I don't think his performances were ever bad. He could rise above bad scripts, bad directing, and bad cinematography to shine even when the movie was covered in mud.

I wasn't always a big fan of Cushing. For years I thought of him as a minor character from Star Wars, but as I got older and saw more of his films, I grew to appreciate his work a lot more deeply. His Grand Moff Tarkin was incredibly important to that first Star Wars movie. His Van Helsing was a fit match for Christopher Lee's Dracula, and his Holmes, as I said before, is right up there with many other fine actors who sat in the rooms at Baker Street puffing that pipe while deep in thought.

Peter Cushing appeared in over 90 movies. Some of them are now among my favorite films of all time, while there are others I haven't yet seen. I'm glad I haven't seen them all. It gives me something to look forward to. Cushing's long, distinguished career on film lasted from 1939 to shortly before his death. He died in 1994 at the age of 81.

So it's been a hundred years since his birth. I suspect that in another century, the work of this fine actor will still be appreciated and those who love horror, mystery, and science fiction will still marvel at the work of a man who played both good and evil with so much skill.

Now comes the hard part. I have to decide which of his movies to watch for the the occasion!