Showing posts with label Across the Midnight Sea. Show all posts
Showing posts with label Across the Midnight Sea. Show all posts

Wednesday, July 2, 2014

Midnight Reviews

One of the best surprises a writer can receive is an unexpected good review. My two vampire novels, 100,000 MIDNIGHTS and ACROSS THE MIDNIGHT SEA, each were recently reviewed by Bradley Krawchuk, who had some great things to say about both books. I thought I'd share those reviews here today.



In the interest of full disclosure, I do know Brad, though not very well. We've never met in person, so I guess we're what you might call friendly internet acquaintances. We first met several years ago on a forum devoted to the work of prolific comic book writer/ artist John Byrne. I later became Facebook friends with a handful of people from that forum, including Brad.
Brad is a voracious reader, going through hundreds of a books a year, many of which he reviews on Facebook. I did not ask Brad to read or review my vampire novels. In fact, I didn't know he'd purchased them until he posted his thoughts on the first one, so these were not solicited reviews.

Here are, in his exact words, Brad's comments:




"100,000 Midnights by Aaron Smith - Now, why didn't Facebook highlight Aaron Smith's name there? Ah! There it is! Hey Aaron, cool book! Dude, the "Miracle" was awesome - and a good name, too! And Perfection? That was just X-Filesy goodness.
So at first I didn't like it. I read a couple chapters and I thought I knew where it was going, and then when I realized I didn't, I assumed I knew where it was going anyway, and then I figured out where it was actually going but not, and then I understood it was just doing whatever it wanted and I held on for the ride. That's when it got really fun!
A young man with an old soul meets a young looking but much older vampire, and then proceeds to go on many crazy and (seemingly) disconnected adventures with her. That's pretty much the gist of it right there. It reads like an old fashioned serial adventure story; if you took out things like cell phone references (and an entire chapter about rock n' roll), substituted carriages for cars and steamers for airplanes, you could almost fool me into thinking this was written back in the early 20th century. John Carter, Tarzan, Sherlock Holmes... you put a chapter a week in a pulp 100 years ago this would almost fit in. Almost.
Because while the serialized adventure style of the book hearkens back to a bygone era, the references to classic sci-fi and fantasy literature - both overt and subtle - has a decidedly nostalgic and sentimental undercurrent that makes it seem much more at home in modern literary times. It feels like it's of the past even while it yearns to be part of that past, an interesting and very entertaining line to walk.
The sheer lunacy of the ideas and the many disparate elements that get tossed in and taken out makes it feel like it could go in any direction, and like I said, once I understood I shouldn't anticipate anything, I left myself open to be pleasantly surprised by where it went. By the time I got to who was living in that castle, I was pretty much beaming as I said "of course!" As such, I can hardly wait to see where it goes next in the sequel!"

And, concerning the second book:



"Across the Midnight Sea by Aaron Smith - The follow-up to Smith's 100,000 MIDNIGHTS sees Eric (our human narrator) continue his relationship with the newly Elder vampire Siobahn, and his continued employment by Phillip, an older vampire with a mysterious past that isn't so mysterious after this volume.
The book picks up days after the end of the previous adventure, and while there are some twists and turns the novel overall has a more focussed narrative thread, without the numerous serial adventure side missions. There are certainly still nods to different popular stories, but this second outing delves less into the general supernatural themes of the first and spends time deepening the lives of the main characters. Phillip's aforementioned mysterious past is revealed, Eric's family naturally comes into the picture, and a possible love triangle emerges when Eric befriends an entirely human female closer to his own age than the near 300-year-old (and immortal, and vampiric) Siobahn.
Think of the first book as a rollercoaster, and this one like a Ferris wheel. You hardly catch your breath with the first, with the second you take time to stop and look around, but they're both still fun rides. I have no idea what the third book will be, and that's a good thing."

Those 2 reviews each made my day and I'm glad Brad (and other readers, I hope) looks forward to the next book in the series.

I found it interesting that Brad, being an observant reader, noticed certain differences between the two books, specifically what he calls the serial nature of the first book and the more focused narrative thread of the second. He's right on the money, and there are reasons for the differences (and I'm glad he seemed to enjoy both styles). The first book was indeed originally written as a series of short stories and intended to be a serial. I first created the character of Eric and Siobhan in two short stories, "100,000 Midnights" and "A Study in Shadows," which were published in Pro Se Press's magazine FANTASY AND FEAR. After writing those, I couldn't get enough of them, so I kept writing. I came up with plot after plot and soon had eight stories. It was then that I decided to try to put them all together as one novel. Those 8 stories became the 14 chapters of 100,000 MIDNIGHTS. After that book was accepted by Musa Publishing, I wanted to do a sequel. That story, ACROSS THE MIDNIGHT SEA, was meant from the first page to be a novel, which explains the difference in style from the first book. 



I do plan to write a third novel continuing the story of Eric, Siobhan, Phillip, and the other cast members. I haven't started it yet, but I have a few ideas. 

Those interested in my vampire novels can find them on Amazon for Kindle:



or for Barnes & Nobles' Nook e-reader:



or at the Musa Publishing site.  

Thanks again, Brad, for the great reviews! 











 

Sunday, November 10, 2013

2013 So Far

2013 has been, by far, the busiest year of my life since I started writing. I thought I should put all my releases for the year in one blog post, making them easy to find for anyone interested. First, here's the link directly to my Amazon page, which lists all my books.

And here's everything so far for this year:



Sherlock Holmes Consulting Detective Volume 4 was released by Airship 27 Productions back in the beginning of the year and contains my fourth Holmes story, "The Problem of the Coincidental Glance," along with stories by my friends I.A. Watson, Bradley H. Sinor, W.R. Thinnes, and Andrew Salmon. Holmes Volume 4 can be found on Amazon in print or for Kindle.




Shortly after the Holmes book, my second story featuring another classic pulp character appeared in Dan Fowler: G-Man Volume 2, which also includes stories by Derrick Ferguson, Joshua Reynolds, and B.C. Bell. Also from Airship 27, the second Fowler book can be found in both print and Kindle editions.



This summer, I saw a lifelong dream come true as Pro Se Productions published my spy novel, NOBODY DIES FOR FREE, featuring my character Richard Monroe. I'm very proud of this book and happy to see some of the wonderful reviews posted by those who have read it. A sequel will be published sometime in 2014. Here are links to the print and Kindle versions.



After Sherlock Holmes, of course, the next most famous character I've been given the opportunity to write about is Allan Quatermain. QUATERMAIN: THE NEW ADVENTURES, features two novellas, one by me and one by Alan J. Porter. Print edition. Kindle




My detective character, Lt. Marcel Picard, returned for his fourth case in "Beaten to a Pulp," in Pro Se Presents magazine's July issue. In print or for Kindle.



The vampire series that began with 100,000 MIDNIGHTS continues in the sequel, ACROSS THE MIDNIGHT SEA, from Musa Publishing. Available as an e-book for Kindle or Nook




And I wasn't yet done with pulp for the year, as I had a fourth story published by Airship 27, this one in RAVENWOOD: STEPSON OF MYSTERY Volume 2. "Agents of the Night" had occult detective Ravenwood teaming up with masked vigilante The Black Bat. Available in print or as an e-book.  



And finally, just in time for Halloween, Buzz Books released my full-length horror novel, CHICAGO FELL FIRST, which tells the story of how a group of strangers comes together to survive and hopefully help the innocent victims of a zombie infestation of one of America's major cities. For a limited time, CHICAGO FELL FIRST is only 99 cents for Kindle or Nook

I'd like to thank every writer, editor, publisher, artist, blogger, interviewer, and promoter who had a part in making this year such a success for me. And I'm especially grateful to everyone who bought and read any of my books! If anyone reading this hasn't tried my work and decides to give it a shot, I hope you enjoy it! 

Saturday, October 12, 2013

Good Intentions, Unexpected Results

I've been very pleasantly surprised lately by some of the things people have been saying about my writing ... and I swear I didn't do most of it on purpose!

When I write a story, I have one goal in mind. That's to entertain.What form that entertainment takes varies depending on the genre, but all I ever really want to do is tell a good story in the best way I can. I'm the kind of writer who takes an idea for a plot and bashes the words out quickly and by following my instincts. I don't do detailed outlines or obsess over every word. I take an idea, follow my gut, and run with it. Eventually, if I'm lucky, I end up with a finished short story or novel and somebody wants to publish it. The the readers get it and I hope they enjoy it. That's all there is on my end of the process. I don't try to do anything more than make those readers happy and keep them interested for the time it takes to read from Page 1 to "The End." 

But my last few releases have been getting comments that have shocked me, in a good way.

I wrote my spy novel NOBODY DIES FOR FREE with the intention of telling a story that thrilled readers the way I've always been thrilled by things like James Bond movies or Tom Clancy books. Based on what readers have said in response to the book, I seem to have accomplished that and I'm glad I have. But there's been more than that. I've had people say they've been amazed by the depth of character I've given to the protagonist, Richard Monroe, or been surprised by the twists of the plot. A writer I greatly respect, Trent Zelazny, went so far as to say that the writing is "mind boggling, slick and with a high polish, yet dripping with humanity and often poetry." I literally had tears in my eyes as I read that review. Good tears, because I seem to have accomplished what I set out to do and then more.


I also recently released my second vampire novel, ACROSS THE MIDNIGHT SEA (sequel to 100,000 MIDNIGHTS). My goal there was the same as it always is, to entertain. Now those books contain an element of romance and some sex scenes. The sex is there because it's part of the story, not for any other reason. To be honest, I'm not very comfortable writing about sex. It feels clumsy to me, slightly embarrassing, maybe too personal to be sharing with the world, even if it's the characters having the sex and, obviously, not me. I don't get too graphic with my literary depictions of sex. I tend to use metaphors and hints. It's certainly not outright erotica. So imagine my surprise recently when a reader reported being aroused by those scenes! I'll take the compliment, gladly, but it's not what I expected to hear.


Getting comments like those from readers and reviewers has caught me off guard and I take it as a sign that I'm doing something right, becoming a better writer. I won't try to duplicate those successes, but will continue to do what I've always done, which is write by instinct, put down the words that seem to tell the story best. If those words have deeper effects than I anticipated, good!

The lesson I've learned: trust myself, write what feels right. Experience, guided by instinct, and a hell of a lot of practice seems to be paying off.

As I said earlier, I swear I didn't do it on purpose!            

Wednesday, August 21, 2013

Anything Can Happen at Midnight

I suppose it was inevitable that I'd want to write about vampires at some point in my life. I've been interested in the undead ever since I was about five and a vampire story in a Batman comic scared me senseless. Over the years that followed, I saw dozens of vampire movies, read most of the best-known vampire books (and many obscure ones too), and never completely lost interest in the idea of blood-drinking creatures of the night.

It was a few years ago that I wrote my first vampire short story, "100,000 Midnights," which was published in one of the magazines I sometimes contribute to. I started writing sequel shorts to that one, soon had a handful of them, and then made the decision to combine them all into one book instead of publishing them piece by piece. That became the novel 100,000 Midnights, which was released as an e-book just over a year ago by Musa Publishing. While it was a slow starter in sales, possibly because it was aimed at an audience outside my usual pulp stomping grounds, it's really started to pick up in recent months, probably due to the help of some very positive reviews. Here's the Amazon page for 100,000 Midnights
 

Now, I'm happy to announce that the second book in my vampire series, Across the Midnight Sea, is now available for Kindle, Nook, and most other electronic formats. Here it is on Amazon.
 

So as I write this, I'm thinking about what it's like working on this series of vampire stories (and yes, there will eventually be a third book), and I'm starting to smile as I realize how much fun it is.

The vampire books, or I guess I can call it the Midnight series now, since that word appears in both titles and will find its way into future volumes' titles as well, are my personal playground where anything can happen. Other series of stories I've written or are currently writing seem to have more rules that I have to follow (not that that's a bad thing, it all depends on what I'm trying to accomplish with a given project). For example, when I work on a character like Sherlock Holmes or Allan Quatermain, I have to maintain the essence created by the originator of the character. When I work on a Marcel Picard detective story or a spy novel like Nobody Dies For Free, the stories take place in a realistic version of our world and I have to obey the laws of science and reality. But with the Midnight books, my typing hands are completely unbound.

The Midnight books are set in a world full of supernatural beings, though the general human public isn't aware of what goes on in the shadows.

100,000 Midnights begins with our protagonist, Eric (who I've never given a last name to) stopping in a diner late one night. Eric is what you might call a very young hermit, a somewhat eccentric young man who has few friends and often feels like he was born in the wrong era. So he's sitting alone in this diner and he meets Siobhan, who turns out to be a 292-year-old vampire, though she physically looks like she's not even twenty yet. Eric's whole life changes that night and he finds out that there's a hell of a lot more going on in the world than he ever imagined. He also discovers that he has a natural talent for dealing with supernatural emergencies, though that doesn't mean its always easy. And, he also soon discovers that he can't ever really go back to the way his life used to be, not that he wants to, because that would mean leaving Siobhan.
I'm not going to say anything more about the plot right now,but Eric's nocturnal adventures continue through that book and into the sequel.

The Midnight books are also, I realize, a place where I can pay tribute to many of the things that have influenced me. Quite a few of the places in those two books are thinly disguised versions of places I've been to. Someday, I'm going to do a blog post featuring photos of the real-life locations that have inspired the places in the novels. There are references and homages to a lot of other things in there too, things like the work of H.P. Lovecraft, old Archie comics, H.G. Wells, Dracula (of course!), Shakespeare, Sherlock Holmes, and probably a dozen other things, some of which I might not even have been aware of putting in there at the time!

When I started the set of vampire stories that eventually coalesced in the first novel, I really didn't know exactly where I was going with them. Now, two books into the series, with a third just barely started, I'm still not sure where Eric, Siobhan, and the others will eventually end up, but I hope those who have read and enjoyed the first book and those who are currently reading the second, will come along for the ride. You can never be sure what will happen at midnight.